Painting, a type of fine art, artwork, which is created using paints applied to any hard surface. Like other forms of art, painting performs ideological and cognitive tasks, and also serves as a sphere of creating objective aesthetic values, being one of the highly developed forms of human labor.
Painting reflects and in the light of various concepts evaluates the spiritual content of the era, its social development. Powerfully influencing the feelings and thoughts of the audience, forcing the latter to experience the reality depicted by the artist, it serves as an effective means of public education. Many paintings have documentary information value.
Due to the visibility of the image, the artist’s assessment of life, expressed in his work, acquires special Continue reading
He received his primary education at a Latin school in Florence. He studied painting at Ghirlandaio, sculpture at Bertoldo di Giovanni in the art school founded by Lorenzo Medici in the Medici Gardens. He copied the frescoes of Giotto and Masaccio, studied the sculpture of Donatello, and in 1494 in Bologna met with the works of Jacopo della Quercia. In the house of Lorenzo, where Michelangelo lived for two years, he became acquainted with the philosophy of Neoplatonism, which later had a strong influence on his world outlook and work. The attraction to the monumental enlargement of forms was already evident in his first works – the reliefs “Madonna at the Stairs” (c. 1491, Casa Buonarroti, Florence) and “Battle of the Centaurs” (c. 1492, ibid.).
First Roman period (1496-1501) Continue reading
The most extreme forms of cubism were not those practiced by Picasso and Braque, who resisted complete abstraction, but other cubists, especially Frantisek Kupka, and those whom Apollinaire attributed to the orphists (Delaunay, Leger, Picabia and Duchamp), while taking abstraction, they completely removed visible subject image. Two exhibits of Kupka at the Autumn Salon of 1912, Amorpha. Two-color Fugue “and” Amorpha. Chromatic heat ”, were extremely abstract (or unrepresentative) and metaphysically oriented. Duchamp in 1912 and Picabia in 1912-1914 developed an expressive and symbolic abstraction devoted to complex emotional and sexual topics.
Red Made, Robert Delaunay Simultaneous Windows on the City, 1912, Hamburg Kunsthale
Robert Delaunay Simultaneous Windows on the City, 1912, 46 x 40 cm, Hamburg Kunsthalle, an example of abstract cubism.
Starting in 1912, Delaunay painted the series of paintings “Simultaneous Windows”, which followed the “Rounded Continue reading