Cubism until 1914
There is a clear distinction between the cubists of Canweiler and the cubists of the Salon. Until 1914, Braque, Picasso and Leger (to a lesser extent), Gris received the support…

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Mane Edouard
Born in a family of large officials. He began to draw in college. Opposing the intended lawyer career, he entered the maritime school. In 1848 he went on a hike…

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Portuguese painting
Portuguese painting is practically unknown in our country, unfortunately, it did not receive such a high-profile fame as, say, the painting of famous Italian or French masters. Although, in the…

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means painting

Picasso Pablo

He studied with his father, H. Ruiz, at the schools of fine arts in La Coruña, Barcelona and at the Madrid San Fernando Academy, carried away by French art, familiar from reproductions. He was influenced by anarchism. In 1900 Picasso first came to Paris, since 1904 he has been living there permanently. Exhibited since 1901 with “Aunt Weil” and with A. Vollard. At this time, he was moving away from the influence of the Art Nouveau style, which for a long time remained in the manner of emphasizing the silhouettes of figures, as well as in coloristic monochromy. Picasso elects Van Gogh, Gauguin, Cezanne, Toulouse-Lautrec as his “teacher”. He begins to write in bright pasty strokes in the manner of Continue reading

Vrubel Mikhail Alexandrovich

Coming from a family of military lawyer. He studied at the Academy of Arts (1880-84) under P. P. Chistyakov; watercolor lessons took from I. E. Repin. Of the foreign contemporaries, M. Fortuny had the greatest influence on him; much in common in his art also with the work of the Pre-Raphaelites. But even more important for Vrubel were the impressions of the painting of the Italian Renaissance, as well as the images of literature (V. Shakespeare, I.V. Goethe, M. Yu. Lermontov).

Kiev period

The mature manner of the master – with his “crystalline” pattern, crushing the world into ornamental planes Continue reading

Santi Rafael

Already in the early paintings, written before moving to Florence, the harmonious warehouse of talent inherent in Raphael had an effect, his ability to find perfect agreement of forms, rhythms, colors, movements, gestures – and in such small-format works, almost miniatures like Madonna Conestabile (c. 1502-03, Hermitage), “The Knight’s Dream” (c. 1504, National Gallery, London), “Three Graces” (Conde Museum, Chantilly), “St. George” (c. 1504, National Gallery, Washington) , and in a larger format “Mary’s Betrothal” (1504, Brera, Milan).

Florence period (1504-08)

Relocation played a huge role in the creative development of Raphael. Of primary importance to him was familiarity with the method of Leonardo da Vinci. Following Leonardo, he begins to work a lot from nature, studies anatomy, mechanics of movements, complex poses and camera angles, searches for compact, rhythmically balanced composition formulas. In the latest Florentine works of Raphael (“Position in the Sepulcher”, 1507, Borghese Gallery, Rome; “St. Catherine of Continue reading

Dutch painting - paintings of the 17th century
A significant feature of Dutch art was the significant prevalence in all its forms of painting. Representatives of the highest echelons of power, poor burghers, artisans and peasants decorated their…

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Masterpieces of French Painting
Felix Edward Vallotton is usually considered a Frenchman, but he was born in Switzerland, in Lausanne, on December 28, 1865 into a Protestant family. His father, Arman Adrien, was a…

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Watercolor
Watercolor (Italian aquarelle or aqua-tento, French aquarelle, English painting in water colors, German Wasserfarbengemalde, Aquarellmalerei) - means painting with water (i.e., water-soluble) paints. watercolor Watercolor technique has been known for…

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Portuguese painting
Portuguese painting is practically unknown in our country, unfortunately, it did not receive such a high-profile fame as, say, the painting of famous Italian or French masters. Although, in the…

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