Italian art and painting
The history of Italian art is the art of Italy itself in time and space. After Etruscan civilization, and especially after the Roman Republic and Empire, which has held a…

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Still life story
In art, still life (from the French. Natur morte - "dead nature") is usually called the image of inanimate objects, united in a single compositional group. Still life can have…

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Santi Rafael
Already in the early paintings, written before moving to Florence, the harmonious warehouse of talent inherent in Raphael had an effect, his ability to find perfect agreement of forms, rhythms,…

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Frantisek Kupka

Roerich Nikolai Konstantinovich

Member of the World of Art. Since the 1920s he lived in India. Emotional, colorful and decorative compositions inspired by the history of Ancient Russia (“The Messenger”, 1897), Indian and Tibetan nature and mythology (“Remember”, 1945). Roerich considered history and nature as a process of a single “cosmic evolution”. In 1924-1928, together with Yu. N. Roerich and in 1934-1935 he made expeditions to India, China, Mongolia and other countries of Central and East Asia (books Heart of Asia, 1929, Gateway to the Future, 1936). Initiator of the movement in defense of cultural monuments (in 1954 the Roerich International Pact for the Protection of Cultural Property was concluded); founded the Institute of Himalayan Studies in Nigar – “Urusvati” (1929-42; together with Yu. N. Roerich). Collection of poems “Flowers of Moria”, 1921; prose essay and diary books: Ways of Blessing, 1924, Flame Stronghold, 1932, Indestructible, 1936, Altai-Himalayas, in Continue reading

Abstract and readymade

The most extreme forms of cubism were not those practiced by Picasso and Braque, who resisted complete abstraction, but other cubists, especially Frantisek Kupka, and those whom Apollinaire attributed to the orphists (Delaunay, Leger, Picabia and Duchamp), while taking abstraction, they completely removed visible subject image. Two exhibits of Kupka at the Autumn Salon of 1912, Amorpha. Two-color Fugue “and” Amorpha. Chromatic heat ”, were extremely abstract (or unrepresentative) and metaphysically oriented. Duchamp in 1912 and Picabia in 1912-1914 developed an expressive and symbolic abstraction devoted to complex emotional and sexual topics.

Red Made, Robert Delaunay Simultaneous Windows on the City, 1912, Hamburg Kunsthale
Robert Delaunay Simultaneous Windows on the City, 1912, 46 x 40 cm, Hamburg Kunsthalle, an example of abstract cubism.

Starting in 1912, Delaunay painted the series of paintings “Simultaneous Windows”, which followed the “Rounded Continue reading

Dutch painting - paintings of the 17th century
A significant feature of Dutch art was the significant prevalence in all its forms of painting. Representatives of the highest echelons of power, poor burghers, artisans and peasants decorated their…

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By its own rules. Self-portraits of Polish artists
Singer of the Slavs in the Japanese kimono, naked, hardly matching the canons of exquisite nudes. Self-portraits of Polish artists play with the viewer and at every step deceive his…

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Santi Rafael
Already in the early paintings, written before moving to Florence, the harmonious warehouse of talent inherent in Raphael had an effect, his ability to find perfect agreement of forms, rhythms,…

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Picasso Pablo
He studied with his father, H. Ruiz, at the schools of fine arts in La Coruña, Barcelona and at the Madrid San Fernando Academy, carried away by French art, familiar…

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