Born in a family of large officials. He began to draw in college. Opposing the intended lawyer career, he entered the maritime school. In 1848 he went on a hike on a ship in Rio de Janeiro. At the beginning of 1850, together with his friend at the gymnasium, A. Proust (in the future, the author of memoirs about Mans), he studied at the School of Fine Arts in Paris with T. Couture, a famous master of salon and academic art, famous for the painting “Romans of the Decline” (1847, Louvre Museum). Unlike many of his contemporary innovators, who did not stay long in the workshops of professors, Manet spent six years with Couture, mastering the skills of a clear drawing and its modeling with color, the laws of compositional construction. Manet travels a lot, visits the Netherlands, Austria, Italy, and later Germany, Spain and England. As in the collections of the Louvre, he is always interested in the “secrets” of painting by old masters, mainly Velazquez, Goya, El Greco, Hals, Rembrandt, Rubens, Van Dyck, Watteau and Chardin, and among the new ones – Continue reading
There is a clear distinction between the cubists of Canweiler and the cubists of the Salon. Until 1914, Braque, Picasso and Leger (to a lesser extent), Gris received the support of the only interested art dealer in Paris, Daniel-Henri Canweiler, who guaranteed them an annual income for the exclusive right to acquire their work. I sold them only to a small circle of connoisseurs. His support gave artists the freedom to experiment in relative privacy. Picasso worked at Montmartre until 1912, while Braque and Gris remained there until the end of World War I. Leger settled on Montparnasse.
Albert Gleize Man on a Balcony (Portrait of Dr. Théo Morinaud) (1912, oil on canvas, 195.6 x 114.9 cm, Philadelphia Museum of Art). Finished in the same year as the book of Albert Glease “On Cubism” in collaboration with Jean Metzenge. Exhibited at the Autumn Salon in Paris in 1912, and at the Arsenal Exhibition in New York, Chicago and Boston in 1913.
At the same time, salon cubists built their reputation, first of all, regularly exhibiting at the Autumn Salon and the Salon Continue reading
Singer of the Slavs in the Japanese kimono, naked, hardly matching the canons of exquisite nudes. Self-portraits of Polish artists play with the viewer and at every step deceive his expectations.
A gifted child, whose first teacher was the famous artist (in particular, according to the canonical illustrations for “Pan Tadeusz” by Adam Mickiewicz) artist Michal Elviro Andriolli, a student at the private painting school of Wojciech Gerson. A student of the prestigious Julian Academy in Paris, she became the first Polish woman to receive an art education at such a high professional level. Marked with many awards while studying at school, at the London Academy of Arts, as well as in Berlin and at the Paris Salon. At the Salon in 1887 she was awarded the highest award – a gold medal for the self-portrait written in the same year. She is guided by current trends, peculiar primarily to landscape painting – from luminism to impressionism. Traces of these directions are also found in her paintings, but Anna Continue reading