The concept and origin of cubism
Cubism was born in the years 1907-1911. Pablo Picasso's 1907 painting Avignon Maidens is often considered a proto-Cubist work. Georges Braque's “Homes in Estate” (and related works) prompted the critic…

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Installation and Object, as forms of contemporary art
“I saw cats without smiles, but a smile without a cat ...” - Lewis Carroll “Alice in Wonderland”. The situation with contemporary art, starting from the 20th century, resembles the…

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Italian painting 13-14 centuries
The leading role in Italian painting of the 13th century was played by the Byzantine tradition. Italy was a motley conglomerate of cultural centers. A special role among numerous local…

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distinction between

Cubist sculpture

Just like in painting, cubist sculpture is rooted in the reduction by Paul Cezanne of drawn objects to compound planes and geometric bodies (cubes, spheres, cylinders and cones). And just like in painting, it became an all-pervasive influence and significantly contributed to constructivism and futurism.

Cubist sculpture developed in parallel with cubism in painting. In the fall of 1909, Picasso created “The Head of a Woman (Fernando)” with positive features using negative and positive space. According to Douglas Cooper: “The first real cubist sculpture was the impressive“ Woman’s Head ”by Picasso, modeled in 1909-1910, the equivalent in three dimensions for many of these analytical and faceted heads in his paintings of that time.” These positive / negative changes were ambitiously used by Alexander Arkhipenko in 1912-1913, for example, in The Walking Woman. After Arkhipenko, Jozsef Chaki was the first sculptor in Paris to join the Cubists, with whom he exhibited Continue reading

Cubism until 1914

There is a clear distinction between the cubists of Canweiler and the cubists of the Salon. Until 1914, Braque, Picasso and Leger (to a lesser extent), Gris received the support of the only interested art dealer in Paris, Daniel-Henri Canweiler, who guaranteed them an annual income for the exclusive right to acquire their work. I sold them only to a small circle of connoisseurs. His support gave artists the freedom to experiment in relative privacy. Picasso worked at Montmartre until 1912, while Braque and Gris remained there until the end of World War I. Leger settled on Montparnasse.
Recommended illustration:
Albert Gleize Man on a Balcony (Portrait of Dr. Théo Morinaud) (1912, oil on canvas, 195.6 x 114.9 cm, Philadelphia Museum of Art). Finished in the same year as the book of Albert Glease “On Cubism” in collaboration with Jean Metzenge. Exhibited at the Autumn Salon in Paris in 1912, and at the Arsenal Exhibition in New York, Chicago and Boston in 1913.

At the same time, salon cubists built their reputation, first of all, regularly exhibiting at the Autumn Salon and the Salon Continue reading

Spanish art
Spanish art is the art of Spain. Being an important part of Western art (especially under the influence of Italy and France, especially during the periods of Baroque and Classicism)…

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Vietnam University of Fine Arts
Vietnam University of Fine Arts (formerly Hanoi Higher School of Fine Arts) is an art school in Hanoi (Vietnam), which was created in 1925 under French rule. The university has…

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Lithuanian stories of Mikalojus Čiurlionis
The genius of East European symbolism, artist, composer, writer and photographer, Mikalojus Konstantinas Čiurlionis was brought up in Polish culture, but became an outstanding creator of Lithuanian culture, an artist…

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The most famous muses of great artists. The artist and his muse
Simonetta Vespucci (Simonetta Dei Cattanei) Beloved Sandro Botticelli The wife of Marco Vespucci, whose brother, Amerigo, gave his name to America, discovered by Christopher Columbus. The great artist Sandro Botticelli…

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