He studied with his father, H. Ruiz, at the schools of fine arts in La Coruña, Barcelona and at the Madrid San Fernando Academy, carried away by French art, familiar from reproductions. He was influenced by anarchism. In 1900 Picasso first came to Paris, since 1904 he has been living there permanently. Exhibited since 1901 with “Aunt Weil” and with A. Vollard. At this time, he was moving away from the influence of the Art Nouveau style, which for a long time remained in the manner of emphasizing the silhouettes of figures, as well as in coloristic monochromy. Picasso elects Van Gogh, Gauguin, Cezanne, Toulouse-Lautrec as his “teacher”. He begins to write in bright pasty strokes in the manner of Continue reading
Coming from a family of military lawyer. He studied at the Academy of Arts (1880-84) under P. P. Chistyakov; watercolor lessons took from I. E. Repin. Of the foreign contemporaries, M. Fortuny had the greatest influence on him; much in common in his art also with the work of the Pre-Raphaelites. But even more important for Vrubel were the impressions of the painting of the Italian Renaissance, as well as the images of literature (V. Shakespeare, I.V. Goethe, M. Yu. Lermontov).
The mature manner of the master – with his “crystalline” pattern, crushing the world into ornamental planes Continue reading
Member of the World of Art. Since the 1920s he lived in India. Emotional, colorful and decorative compositions inspired by the history of Ancient Russia (“The Messenger”, 1897), Indian and Tibetan nature and mythology (“Remember”, 1945). Roerich considered history and nature as a process of a single “cosmic evolution”. In 1924-1928, together with Yu. N. Roerich and in 1934-1935 he made expeditions to India, China, Mongolia and other countries of Central and East Asia (books Heart of Asia, 1929, Gateway to the Future, 1936). Initiator of the movement in defense of cultural monuments (in 1954 the Roerich International Pact for the Protection of Cultural Property was concluded); founded the Institute of Himalayan Studies in Nigar – “Urusvati” (1929-42; together with Yu. N. Roerich). Collection of poems “Flowers of Moria”, 1921; prose essay and diary books: Ways of Blessing, 1924, Flame Stronghold, 1932, Indestructible, 1936, Altai-Himalayas, in Continue reading