Vietnam University of Fine Arts (formerly Hanoi Higher School of Fine Arts) is an art school in Hanoi (Vietnam), which was created in 1925 under French rule. The university has trained many of Vietnam’s leading artists, and each year takes part in numerous cultural exchanges with sister foreign institutions.
The long and distinguished history of the University of Fine Arts of Hanoi can be traced back to the colonial École Supérieure des Beaux Arts de l’Indochine (1925-1945) (Indochina Higher School of Fine Arts), which educated subsequent generations of Vietnamese students – and a small number of students Continue reading
A significant feature of Dutch art was the significant prevalence in all its forms of painting. Representatives of the highest echelons of power, poor burghers, artisans and peasants decorated their homes with paintings. They were sold at auctions and fairs; artists sometimes even used them as a means of paying bills.
Road in the Forest, Meindert Hobbem, 1670
Painters were abundant, and there was quite fierce competition, since the profession of the artist was widespread. By painting, not many could earn their bread. Most artists had to do a variety of work: Jacob van Reusdal was a doctor, Meinert Hobbema worked as an excise official, and Jan Steen as an innkeeper. Continue reading
The leading role in Italian painting of the 13th century was played by the Byzantine tradition. Italy was a motley conglomerate of cultural centers. A special role among numerous local schools was played by Florence and, in general, the region of Tuscany – the cities of Pisa, Lucca, Siena. The first signs of the Renaissance according to Vasari appear at the end of the 13th century along with two great Florentines – Cimabue and Giotto, who discarded Byzantine techniques and returned to genuine ancient traditions. Giotto’s picturesque reform turned out to be a source of fruitful and creative search for artists of the 14th century. And while none of them succeeded in succeeding Giotto’s synthetic style, all the major artists of the leading centers – Siena Simone Martini, Pietro and Ambrogio Lorenzetti, and the North Italian artists Pietro da Rimini and Giovanni Milano – follow the outlined Giotto in their creative development. After the frescoes in the church of San Francesco located in Assisi, Cimabue becomes the largest Florentine painter of the 14th century. His influence on the development of Tuscan painting is becoming Continue reading