Musical instruments and national costumes in painting
Music seen, painting heard in the canvases of contemporaries “Without music, life would have been a mistake” Friedrich Nietzsche It is no coincidence that people playing musical instruments are on…

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Picasso Pablo
He studied with his father, H. Ruiz, at the schools of fine arts in La Coruña, Barcelona and at the Madrid San Fernando Academy, carried away by French art, familiar…

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17th century Italian painting
At the turn of the 16th and 17th centuries, two artistic trends emerged in Italian painting: one related to the art of Caravaggio, the second to the work of the…

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Roman masterpiece

Cubist sculpture

Just like in painting, cubist sculpture is rooted in the reduction by Paul Cezanne of drawn objects to compound planes and geometric bodies (cubes, spheres, cylinders and cones). And just like in painting, it became an all-pervasive influence and significantly contributed to constructivism and futurism.

Cubist sculpture developed in parallel with cubism in painting. In the fall of 1909, Picasso created “The Head of a Woman (Fernando)” with positive features using negative and positive space. According to Douglas Cooper: “The first real cubist sculpture was the impressive“ Woman’s Head ”by Picasso, modeled in 1909-1910, the equivalent in three dimensions for many of these analytical and faceted heads in his paintings of that time.” These positive / negative changes were ambitiously used by Alexander Arkhipenko in 1912-1913, for example, in The Walking Woman. After Arkhipenko, Jozsef Chaki was the first sculptor in Paris to join the Cubists, with whom he exhibited Continue reading

Cubism until 1914

There is a clear distinction between the cubists of Canweiler and the cubists of the Salon. Until 1914, Braque, Picasso and Leger (to a lesser extent), Gris received the support of the only interested art dealer in Paris, Daniel-Henri Canweiler, who guaranteed them an annual income for the exclusive right to acquire their work. I sold them only to a small circle of connoisseurs. His support gave artists the freedom to experiment in relative privacy. Picasso worked at Montmartre until 1912, while Braque and Gris remained there until the end of World War I. Leger settled on Montparnasse.
Recommended illustration:
Albert Gleize Man on a Balcony (Portrait of Dr. Théo Morinaud) (1912, oil on canvas, 195.6 x 114.9 cm, Philadelphia Museum of Art). Finished in the same year as the book of Albert Glease “On Cubism” in collaboration with Jean Metzenge. Exhibited at the Autumn Salon in Paris in 1912, and at the Arsenal Exhibition in New York, Chicago and Boston in 1913.

At the same time, salon cubists built their reputation, first of all, regularly exhibiting at the Autumn Salon and the Salon Continue reading

Spanish painting. Modern period

Over the centuries, Spanish artists began to move away from traditional painting styles towards more abstract and freer styles. Plots became more obscure, reaching its peak in the direction of surrealism. The 20th century was probably one of the richest centuries in terms of the work of successful and world-famous Spanish artists. This century was the time of Picasso, Dali and Gris among others, all of them made a significant impression on the world of Spanish art.

Impressionist Spanish Art
Impressionism originated in Paris in the second half of the 19th century, in the 1860s and 1870s, although it was never very successful there, as it was not approved by the French Academy of Fine Arts. However, today Continue reading

Italian neoclassicism and 19th century art
As in other parts of Europe, Italian neoclassical art was based mainly on the principles of ancient Roman and ancient Greek art and architecture, as well as on Italian architecture…

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Dutch painting - paintings of the 17th century
A significant feature of Dutch art was the significant prevalence in all its forms of painting. Representatives of the highest echelons of power, poor burghers, artisans and peasants decorated their…

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Cubism until 1914
There is a clear distinction between the cubists of Canweiler and the cubists of the Salon. Until 1914, Braque, Picasso and Leger (to a lesser extent), Gris received the support…

...

Picasso Pablo
He studied with his father, H. Ruiz, at the schools of fine arts in La Coruña, Barcelona and at the Madrid San Fernando Academy, carried away by French art, familiar…

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