He studied with his father, H. Ruiz, at the schools of fine arts in La Coruña, Barcelona and at the Madrid San Fernando Academy, carried away by French art, familiar from reproductions. He was influenced by anarchism. In 1900 Picasso first came to Paris, since 1904 he has been living there permanently. Exhibited since 1901 with “Aunt Weil” and with A. Vollard. At this time, he was moving away from the influence of the Art Nouveau style, which for a long time remained in the manner of emphasizing the silhouettes of figures, as well as in coloristic monochromy. Picasso elects Van Gogh, Gauguin, Cezanne, Toulouse-Lautrec as his “teacher”. He begins to write in bright pasty strokes in the manner of Continue reading
Member of the World of Art. Since the 1920s he lived in India. Emotional, colorful and decorative compositions inspired by the history of Ancient Russia (“The Messenger”, 1897), Indian and Tibetan nature and mythology (“Remember”, 1945). Roerich considered history and nature as a process of a single “cosmic evolution”. In 1924-1928, together with Yu. N. Roerich and in 1934-1935 he made expeditions to India, China, Mongolia and other countries of Central and East Asia (books Heart of Asia, 1929, Gateway to the Future, 1936). Initiator of the movement in defense of cultural monuments (in 1954 the Roerich International Pact for the Protection of Cultural Property was concluded); founded the Institute of Himalayan Studies in Nigar – “Urusvati” (1929-42; together with Yu. N. Roerich). Collection of poems “Flowers of Moria”, 1921; prose essay and diary books: Ways of Blessing, 1924, Flame Stronghold, 1932, Indestructible, 1936, Altai-Himalayas, in Continue reading
Already in the early paintings, written before moving to Florence, the harmonious warehouse of talent inherent in Raphael had an effect, his ability to find perfect agreement of forms, rhythms, colors, movements, gestures – and in such small-format works, almost miniatures like Madonna Conestabile (c. 1502-03, Hermitage), “The Knight’s Dream” (c. 1504, National Gallery, London), “Three Graces” (Conde Museum, Chantilly), “St. George” (c. 1504, National Gallery, Washington) , and in a larger format “Mary’s Betrothal” (1504, Brera, Milan).
Florence period (1504-08)
Relocation played a huge role in the creative development of Raphael. Of primary importance to him was familiarity with the method of Leonardo da Vinci. Following Leonardo, he begins to work a lot from nature, studies anatomy, mechanics of movements, complex poses and camera angles, searches for compact, rhythmically balanced composition formulas. In the latest Florentine works of Raphael (“Position in the Sepulcher”, 1507, Borghese Gallery, Rome; “St. Catherine of Continue reading