Cubism
Cubism is a trend in the avant-garde art of the early 20th century, which radically changed European painting and sculpture, and also inspired the corresponding trends in music, literature and…

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Portraiture from a photograph
Any interaction often also involves mutual use. If a photograph initially perceived such picturesque structures as a composition and a system of genres, so that “the first person who saw…

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Mane Edouard
Born in a family of large officials. He began to draw in college. Opposing the intended lawyer career, he entered the maritime school. In 1848 he went on a hike…

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Edouard Manet

Roerich Nikolai Konstantinovich

Member of the World of Art. Since the 1920s he lived in India. Emotional, colorful and decorative compositions inspired by the history of Ancient Russia (“The Messenger”, 1897), Indian and Tibetan nature and mythology (“Remember”, 1945). Roerich considered history and nature as a process of a single “cosmic evolution”. In 1924-1928, together with Yu. N. Roerich and in 1934-1935 he made expeditions to India, China, Mongolia and other countries of Central and East Asia (books Heart of Asia, 1929, Gateway to the Future, 1936). Initiator of the movement in defense of cultural monuments (in 1954 the Roerich International Pact for the Protection of Cultural Property was concluded); founded the Institute of Himalayan Studies in Nigar – “Urusvati” (1929-42; together with Yu. N. Roerich). Collection of poems “Flowers of Moria”, 1921; prose essay and diary books: Ways of Blessing, 1924, Flame Stronghold, 1932, Indestructible, 1936, Altai-Himalayas, in Continue reading

Buonarroti Michelangelo

He received his primary education at a Latin school in Florence. He studied painting at Ghirlandaio, sculpture at Bertoldo di Giovanni in the art school founded by Lorenzo Medici in the Medici Gardens. He copied the frescoes of Giotto and Masaccio, studied the sculpture of Donatello, and in 1494 in Bologna met with the works of Jacopo della Quercia. In the house of Lorenzo, where Michelangelo lived for two years, he became acquainted with the philosophy of Neoplatonism, which later had a strong influence on his world outlook and work. The attraction to the monumental enlargement of forms was already evident in his first works – the reliefs “Madonna at the Stairs” (c. 1491, Casa Buonarroti, Florence) and “Battle of the Centaurs” (c. 1492, ibid.).

First Roman period (1496-1501) Continue reading

The concept and origin of cubism

Cubism was born in the years 1907-1911. Pablo Picasso’s 1907 painting Avignon Maidens is often considered a proto-Cubist work. Georges Braque’s “Homes in Estate” (and related works) prompted the critic Louis Vosel to turn to bizarreries cubiques (cubic oddities). Gertrude Stein referred to landscapes painted by Picasso in 1909, for example, “Pond (Reservoir at Horta de Ebro)” as the first Cubist paintings. The first organized group exhibition of cubists took place at the Salon de la Independent in Paris in the spring of 1911 in a room called Hall 41 (Salle 41); it included the works of Jean Metzinger, Albert Gleize, Fernand Leger, Robert Delaunay and Henri Le Focognier, works by Picasso and Braque have not yet been exhibited.
Paul Cezanne Quarry Bibémus (“The Bibemius Quarry”), 1898-1900, Folkwang Museum, Essen, Germany Continue reading

Italian neoclassicism and 19th century art
As in other parts of Europe, Italian neoclassical art was based mainly on the principles of ancient Roman and ancient Greek art and architecture, as well as on Italian architecture…

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Vrubel Mikhail Alexandrovich
Coming from a family of military lawyer. He studied at the Academy of Arts (1880-84) under P. P. Chistyakov; watercolor lessons took from I. E. Repin. Of the foreign contemporaries,…

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Installation and Object, as forms of contemporary art
“I saw cats without smiles, but a smile without a cat ...” - Lewis Carroll “Alice in Wonderland”. The situation with contemporary art, starting from the 20th century, resembles the…

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Vrubel Mikhail Alexandrovich
Coming from a family of military lawyer. He studied at the Academy of Arts (1880-84) under P. P. Chistyakov; watercolor lessons took from I. E. Repin. Of the foreign contemporaries,…

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