Dutch painting - paintings of the 17th century
A significant feature of Dutch art was the significant prevalence in all its forms of painting. Representatives of the highest echelons of power, poor burghers, artisans and peasants decorated their…

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"Where Van Gogh Breathes the Stars ..."
Van Gogh was born on March 30, 1853 in the Dutch village of Grot-Sundert, in the family of a rural pastor. Little Vincent was taciturn and gloomy, did not like…

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Portuguese painting
Portuguese painting is practically unknown in our country, unfortunately, it did not receive such a high-profile fame as, say, the painting of famous Italian or French masters. Although, in the…

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artists worked

Buonarroti Michelangelo

He received his primary education at a Latin school in Florence. He studied painting at Ghirlandaio, sculpture at Bertoldo di Giovanni in the art school founded by Lorenzo Medici in the Medici Gardens. He copied the frescoes of Giotto and Masaccio, studied the sculpture of Donatello, and in 1494 in Bologna met with the works of Jacopo della Quercia. In the house of Lorenzo, where Michelangelo lived for two years, he became acquainted with the philosophy of Neoplatonism, which later had a strong influence on his world outlook and work. The attraction to the monumental enlargement of forms was already evident in his first works – the reliefs “Madonna at the Stairs” (c. 1491, Casa Buonarroti, Florence) and “Battle of the Centaurs” (c. 1492, ibid.).

First Roman period (1496-1501) Continue reading

The concept and origin of cubism

Cubism was born in the years 1907-1911. Pablo Picasso’s 1907 painting Avignon Maidens is often considered a proto-Cubist work. Georges Braque’s “Homes in Estate” (and related works) prompted the critic Louis Vosel to turn to bizarreries cubiques (cubic oddities). Gertrude Stein referred to landscapes painted by Picasso in 1909, for example, “Pond (Reservoir at Horta de Ebro)” as the first Cubist paintings. The first organized group exhibition of cubists took place at the Salon de la Independent in Paris in the spring of 1911 in a room called Hall 41 (Salle 41); it included the works of Jean Metzinger, Albert Gleize, Fernand Leger, Robert Delaunay and Henri Le Focognier, works by Picasso and Braque have not yet been exhibited.
Paul Cezanne Quarry Bibémus (“The Bibemius Quarry”), 1898-1900, Folkwang Museum, Essen, Germany Continue reading

Italian neoclassicism and 19th century art

As in other parts of Europe, Italian neoclassical art was based mainly on the principles of ancient Roman and ancient Greek art and architecture, as well as on Italian architecture of the Renaissance and its foundations, for example, this is observed in the Villa Carpa “La Rotonda”.

Classicism and neoclassicism in Italian art and architecture developed during the Italian Renaissance, in particular in the works and projects of Leon Battista Alberti and the work of Filippo Brunelleschi. The emphasis is on the symmetry, proportion, geometry and orderliness of the parts in such a way as they were demonstrated in the architecture of antiquity, in particular, in the architecture of Ancient Rome, many examples of which have been preserved. The correct order of columns, pilasters and architrave beams, as well as the use of semicircular arches, hemispherical domes, Continue reading

Musical instruments and national costumes in painting
Music seen, painting heard in the canvases of contemporaries “Without music, life would have been a mistake” Friedrich Nietzsche It is no coincidence that people playing musical instruments are on…

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Still life story
In art, still life (from the French. Natur morte - "dead nature") is usually called the image of inanimate objects, united in a single compositional group. Still life can have…

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Spanish painting. Modern period
Over the centuries, Spanish artists began to move away from traditional painting styles towards more abstract and freer styles. Plots became more obscure, reaching its peak in the direction of…

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Joyful heavy metal and mad rabbits. New painting from Silesia
Starting from the 50s of the last century in Upper Silesia three associations of artists acted in turn, each of which excelled the previous one in eccentricity. Even in the…

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